WHAT WENT WRONG

‘Top Gun’ may have dominated the box office in 1986, but behind the scenes the studio had lost that loving feeling. Join Chris and Lizzie to find out why Tom Cruise barfed on himself, how maverick director Tony Scott kept filming even after being fired, what changes the Navy made to the script, and which of Kelly McGillis’s scenes were added right before release. Plus discover why Val Kilmer literally ran away from his audition, and how his feelings about the franchise changed over the decades. Hosted on Acast. See acast.com/privacy for more information.

It's time to jam in space! Or maybe... under the Hollow Earth? Either way, Chris & Lizzie are leaping back to a simpler time, when Michael Jordan laid it all on the line to save the Looney Tunes and ignored his family for an unspecified amount of time! They'll explore Bill Murray's tenuous attachment to the project, Ivan Reitman and director Joe Pytka's tonal squabbles, the heroic efforts of the entire animation team, and the origins of some of the movie's best (and most true-to-life) jokes. Hosted on Acast. See acast.com/privacy for more information.

‘The Texas Chainsaw Massacre’ was a 1974 horror blockbuster that defined slasher tropes for decades… but thanks to shady business deals and alleged mob connections, its creators and stars saw almost none of the profits. This week Chris and Lizzie dive into the harrowing backstory of Tobe Hooper’s breakout film. Find out how many real bones were used on set, why the cast and crew had to run to the windows to vomit, and how one of the OG final girls went through a very real hell in Texas. Hosted on Acast. See acast.com/privacy for more information.

Check out this spoiler-free bonus review preview. It's the movie we didn't know we needed (or existed!) and Chris and Lizzie are still grappling with how You Can See Everything made them feel. Did Nathan Fielder, master of narrative manipulation and manufactured awkwardness, meet his match in Elizabeth Holmes? How did Chris and Lizzie interpret the film's myriad mind-boggling moments? Should this be the first documentary nominated for Best Picture (and perhaps a few other categories)? Subscribe for $5 on Patreon, Spotify, or Apple for access to all bonus and ad-free episodes. Hosted on Acast. See acast.com/privacy for more information.

To be, or not to be... based on Hamlet? Join Chris and Lizzie as they brave the predator laden hunting grounds of Disney during the Animation Renaissance, try to unearth the true author of the studio's most successful film in decades, Katzenberg's crazy claims, Jeremy Irons' beef with the animators, who was nearly cast before James Earl Jones and Matthew Broderick's suspicion that the movie wasn't as original as it was being advertised. *CORRECTIONS: Jonathan Taylor Thomas was not in 'The Indian in the Cupboard', Hal Scardino was. #Mars_Partner Find Mars product at local retail. Visit @MarsGlobal on Instagram and Mars.com to learn more about our brands. Hosted on Acast. See acast.com/privacy for more information.

Jane Austen’s first novel became Emma Thompson’s first screenplay, which eventually won her an Academy Award. But when producer Lindsay Doran first pitched ‘Sense and Sensibility’ no one understood her vision - including director Ang Lee. This week Chris and Lizzie venture into a comedy of errors behind the scenes where language barriers, broken hearts, blossoming romances, and some illegal activity on the Sunset Strip threatened to derail this classic film. Find out why Kate Winslet almost didn’t get cast, how Stephen Fry saved the script, and why Ang Lee discovered he had more in common with Jane Austen than he realized. Hosted on Acast. See acast.com/privacy for more information.

This week, we revisit our interview with the one and only James McAvoy as Chris and Lizzie break down what went wrong - and very right - on his directorial debut, California Schemin’. The film follows two young Scottish rappers who get laughed out of the music industry… until they start pretending to be American. It’s a true story of ambition, delusion, and the blurry line between reinvention and outright fraud. Find out what drew McAvoy to the script, how he assembled the perfect cast, and what surprised him most about stepping behind the camera for the first time. Plus, discover the tricks he borrowed from some of the best directors he’s worked with (and which ones actually worked). Check out California Schemin’ in theaters on October 9th! Hosted on Acast. See acast.com/privacy for more information.

Just two guys and we're having a good time! This week, Chris and Lizzie chain themselves to James Wan and Leigh Whannell's breakout horror hit, SAW. What began as a simple exercise to try to escape their tiny home country of Australia led to a franchise beyond either of their expectations and, perhaps, desires. From work VISAs to unpaid profits and Cary Elwes' self-discovery of latent claustrophobia, this terrifyingly crunched production proves that just because you don't make the movie you wanted, doesn't mean you can't make the movie the audience did. *CORRECTIONS: Cary Elwes did reprise his role in Saw 3D (2010). Hosted on Acast. See acast.com/privacy for more information.

Lana Turner made a name for herself as one of Hollywood’s most sought after femme fatales in films like ‘The Postman Always Rings Twice’, but her personal life may have been more scandalous than anything she portrayed on screen. Turner was a true rags to riches story - complete with an iconic discovery at a soda shop counter - but her life was an extremely difficult one, full of married men, debauchery, and abuse. However it was her relationship with mobster Johnny Stompanato that would haunt her - and her daughter - for the rest of their lives. This week, Lizzie is joined by Desi and Rachel from Hollywood Crime Scene to break down one of Old Hollywood’s most infamous homicides. Hosted on Acast. See acast.com/privacy for more information.

It’s been 50 years since Brian De Palma turned prom into a blood bath, so let’s find out what went wrong on ‘Carrie’. Join Chris and Lizzie as they dive deep into Stephen King’s first on-screen adaptation. Find out why no one wanted to adapt the novel, why De Palma had to beg for the job, and why he was dead-set against casting Sissy Spacek. Plus, discover why that deadly prom sequence was just as scary in real life. Hosted on Acast. See acast.com/privacy for more information.

This week, Chris & Lizzie try to figure out how Paul W.S. Anderson saved his career, his love life, and Constantin Film (maybe just in the United States) with a lovable clunker of a zombie movie. They trace the origins of the hit game Resident Evil is based on (and the game that game was born from, and the movie that game was based on), untangle a creative love triangle between Milla Jovovich, Michelle Rodriguez, and their director, and work through the complicated, mostly fruitless attempts to find synergy between the movies and video games. Hosted on Acast. See acast.com/privacy for more information.

Despite its all-star cast, when ‘Practical Magic’ landed in theaters in 1998 it was a critical and commercial failure. The blow was particularly devastating for director Griffin Dunne who had tried to exorcise some very personal demons via the film. This week, Chris and Lizzie discover how the Owens sisters went from box office poison to home video magic. Find out how Sandra Bullock and Nicole Kidman got involved, how the film fooled Barbra Streisand, who built those beautiful sets, and why an actual witch tried to burn the whole movie down. Come back on Friday for our subscriber-only review of ‘Practical Magic 2’! Hosted on Acast. See acast.com/privacy for more information.

As spooky season approaches, Chris and Lizzie explore a brief history of witches. Find out how they’ve evolved in folklore, literature, and entertainment from ‘MacBeth’ to ‘The Wizard of Oz’ to ‘Weapons’ and beyond! Plus discover how ‘Practical Magic’ fits into this witchy arc, and what the upcoming sequel may bring to the cauldron. Hosted on Acast. See acast.com/privacy for more information.

We all go a little mad sometimes... And Alfred Hitchcock certainly seemed to when he decided to follow up his most expensive film to date with a black and white B-movie based on a gritty novel that would never survive the withering glare of the Motion Picture Production Code. Chris & Lizzie explore the restrictions that birthed one of the most influential horror films in history, the brilliance of casting Anthony Perkins, Bernard Herrmann's late-in-the-game musical heroics, and Janet Leigh's unusually positive experience working with Hitchcock. Hosted on Acast. See acast.com/privacy for more information.

This week we have Andy Beckerman and Naomi Ekperigin from the Couples Therapy podcast to discuss some of the most chaotic creative partnerships and rivalries in Hollywood history. Join us as we lay out an array of feuds from Tom Cruise vs. Anne Rice, to Patrick Swayze vs. Jennifer Grey, and beyond. Grab yourself a bucket of Liz Taylor’s favorite chili and get ready to pick a side. Hosted on Acast. See acast.com/privacy for more information.

‘Thelma and Louise’ has one of the most iconic endings ever, but it almost didn’t make it to the screen. This week Chris and Lizzie explore Callie Khouri’s relentless dedication to her screenplay, Ridley Scott’s reluctance to direct it, and why neither Geena Davis nor Brad Pitt were even close to first choice for their roles. Find out which alternate ending earned boos from a test audience and how ‘Thelma and Louise’ beat the odds to become a financial success despite almost no marketing budget. Hosted on Acast. See acast.com/privacy for more information.

‘Drop Dead Gorgeous’ was supposed to be a big break for first time feature writer Lona Williams and first time feature director Michael Patrick Jann… except they couldn’t agree on anything. Difficulties with the film’s biggest star, Kirstie Alley, and a lawsuit from Dairy Queen didn’t help. In this bonus Featurette, Halle Kiefer from the Ruined podcast joins Chris and Lizzie to break down this 1999 box office bomb that somehow became a cult classic. Discover why Lona wasn’t allowed to play the role she’d written for herself, how Kirsten Dunst got cast, and why we have this movie to thank for Amy Adams’ career! Hosted on Acast. See acast.com/privacy for more information.

54 years ago, nearly to the day, John Wojtowicz and two accomplices caught a matinee showing of The Godfather, then walked into a bank and inadvertently changed cinema history. Chris & Lizzie explore Sidney Lumet's adaptation of Wojtowicz's sensational and tragic failed heist, the major studios' reticence to touch the material, Al Pacino's struggles with the role, and what Hollywood owes the subjects who inspire the films they make. Hosted on Acast. See acast.com/privacy for more information.

When George Clooney read the script for 1999’s ‘Three Kings’, he knew it was the kind of project he wanted to be attached to. Even though Clooney was a bonafide TV star, he hadn’t found his footing as a leading man yet, so he practically begged director David O. Russell to cast him. Little did he know he had just signed up to work for his worst enemy. This week Lizzie and Chris dive into the madness of ‘Three Kings’, from a disastrous desert shoot, to the truth behind Clooney and Russell’s infamous knock-down drag-out fight. *CORRECTIONS: Lizzie mistakenly calls cinematographer Newton Thomas Sigel "Newton Thomas Howell". Our apologies to Mr. Sigel. Go to surfshark.com/wrong or use code WRONG at checkout to get 4 extra months of Surfshark Hosted on Acast. See acast.com/privacy for more information.

It's the film that fin(n)ished Carolco! Or so we've been led to believe... This week, Chris & Lizzie seek to uncover who really scuttled Carolco Pictures - was it Geena Davis and Renny Harlin? Or was Cutthroat Island a mere scapegoat? Plus, Matthew Modine takes his lumps (on set and after), poop tanks infect the crew, and Michael Douglas dodges a trip to Davy Jones' locker. Go to surfshark.com/wrong or use code WRONG at checkout to get 4 extra months of Surfshark Hosted on Acast. See acast.com/privacy for more information.

Join Chris & Lizzie for a conversation with Raina Deerwater, GLAAD’s Associate Director, Entertainment Research & Analysis covering GLAAD's recently published Where We Are in Film Study. They'll cover the findings of GLAAD's research, the future of film for the LGBTQ community, and how an increasingly consolidated Hollywood can benefit from a diverse ecosystem of stories and storytellers. To connect with GLAAD, please use this contact form: https://glaad.org/contact Go to surfshark.com/wrong or use code WRONG at checkout to get 4 extra months of Surfshark Hosted on Acast. See acast.com/privacy for more information.

In the summer of 1979, citizens of Chicago found themselves subject to traffic jams, random explosions, and S.W.A.T. teams invading Daley Plaza. But they weren’t frightened, they were thrilled! It was just Jake & Elwood Blues, and they were on a mission from God. This week Chris and Lizzie dive head first into John Landis’ 1980 classic ‘The Blues Brothers’. Find out why they really drove cars through downtown Chicago at over 100mph, how Dan Aykroyd’s first draft was 324 pages long, and why John Landis punched John Belushi in the face. Please note that this episode will cover substance abuse and addiction. Hosted on Acast. See acast.com/privacy for more information.

Who are you calling ugly? This week, Chris and Lizzie defend Eli Wallach's looks, Sergio Leone's directing style (to a point...), Clint Eastwood's acting chops and screenwriter Luciano Vincenzoni's decision to pitch a sequel to For a Few Dollars More without his director's input. Plus, why you should always let the Italian stunt men do their job, never trust the Spanish army with a detonation, and how the ecstasy of success can lead to decades of resentment. This episode is brought to you by Brami. Shop Brami at enjoybrami.com or your nearest retailer, and find their newest shape Cubetti exclusively at Whole Foods. Plus, we're giving away exclusive What Went Wrong x Brami kits! Enter at whatwentbrami.com for your chance to win. Hosted on Acast. See acast.com/privacy for more information.

Who do you think of when you think of Spaghetti Westerns? Because Sergio Leone thinks of... Akira Kurosawa? In this week's primer, Chris & Lizzie dive into the Eurocentric Western revival of the 60's and 70's, how it saved Clint Eastwood's career, drew the scorn of American critics, and gave birth to some of the most stylish movies ever made. This episode is brought to you by Brami. Shop Brami at enjoybrami.com or your nearest retailer, and find their newest shape Cubetti exclusively at Whole Foods. Plus, we're giving away exclusive What Went Wrong x Brami kits! Enter at whatwentbrami.com for your chance to win. Hosted on Acast. See acast.com/privacy for more information.

It took Christopher Nolan mere minutes to sell Warner Brothers on his vision of Batman. And while he began to change the face of superhero movies with Batman Begins he altered it forever with The Dark Knight. This week Chris and Lizzie break down which element of The Joker made the studio very nervous, why Hong Kong proved incredibly difficult to film in, and how the hell they flipped that 18 wheeler in the middle of downtown Chicago. Find out how a stunt gone wrong resulted in the on-set death of a veteran stunt technician, how Heath Ledger got his iconic role and how it impacted him, and why Harvey Weinstein may be to blame for blocking the film out of the Best Picture category at the Oscars. Hosted on Acast. See acast.com/privacy for more information.

How did Shakespeare’s ‘The Taming of the Shrew’ become one of the greatest teen comedies of all time? In this Featurette bonus episode, Chris, Lizzie, and special guest Mary from Two Judgey Girls explore the movie that introduced Heath Ledger and Julia Stiles to the world. Find out why the screenwriters clashed with the director, which role Joseph Gordon Levitt really wanted to play, and how that bonkers helicopter shot came to be! Plus discover why this Seattle-based shoot was magical for the cast. Our Featurette episodes are shorter, more relaxed explorations of films we love that don't have quite as much behind-the-scenes drama as a regular What Went Wrong episode... but they’re too fun to skip! Hosted on Acast. See acast.com/privacy for more information.

Once upon a time there lived a boy who loved monsters. This week, Chris & Lizzie head swap Jim Henson's Labyrinth for Guillermo Del Toro's, err... Pan's, err... the Faun's Labyrinth. They explore Del Toro's dark-fairy-tale of a childhood, his battles with real Hollywood monsters (the Weinsteins), and how an insult to Alfonso Cuarón's face led to arguably his most defining film. Hosted on Acast. See acast.com/privacy for more information.

‘Independence Day’ was a runaway hit in the summer of 1996, elevating Will Smith to full blown movie star status, and cementing Roland Emmerich as a major action movie director. But Emmerich and co-writer Dean Devlin had a rocky road to alien domination. This week, Chris and Lizzie discover how Tim Burton’s competing ‘Mars Attacks’ almost canceled out ‘Independence Day’, why the studio didn’t want to cast Will Smith, and how the United States Government threw a major wrench in the works. Plus we reveal how Jeff Goldblum’s most famous line from ‘Jurassic Park’ snuck into the film, and why Bill Pullman’s speech has no business being as excellent as it is. Hosted on Acast. See acast.com/privacy for more information.

This week, Chris and Lizzie explore the mid-90's full metal misfire, Tank Girl, a movie bursting with creativity that deserved better than it got. From Ice T believing he'd be playing a stripper to Lori Petty knowing she'd gotten the part (even when she explicitly hadn't) and director Rachel Talalay fighting the studio to protect the dildo cut, this one's a doozy. Hosted on Acast. See acast.com/privacy for more information.

In 1999, Touchstone thought they had a surefire hit in the works. They had source material by the author of ‘Jurassic Park’ and the director of ‘Die Hard’ behind the camera! But soon things fell apart so spectacularly that ‘The 13th Warrior’ would become one of the year’s biggest box office bombs. This week, Chris and Lizzie unpack how a power struggle between author Michael Crichton and director John McTiernan doomed the film from the start. Find out why making this movie was a battle worthy of Beowulf himself, full of injuries, near death experiences, and pure unadulterated treachery. Don’t worry, Antonio Banderas still comes out looking great! *CORRECTIONS: Chris has the chronology of the score for 'Legend' reversed - Jerry Goldsmith composed the original score (included in the European release of the 'director's cut'), Tangerine Dream was hired to re-score the film for the American release at the behest of the producers. Thanks to Brian McVickar for the correction! Hosted on Acast. See acast.com/privacy…

This week, Chris & Lizzie try to unearth the truth behind 2005's War of the Worlds - was it an unmitigated, Cruisian PR disaster? Or was Tom Cruise's bizarre press tour merely a scapegoat? Plus, how Steven Spielberg and company put together a $135M sci-fi epic on a 10 month turn-around, how a couple of B-movie mockbusters beat it to the box office, and yet another concept album throwing a wrench in the works. Hosted on Acast. See acast.com/privacy for more information.

In preparation for Monday's episode on War of the Worlds (2005) Chris and Lizzie explore the history of Scientology, the wave of religious movements in early 20th century Los Angeles, and set the table for Tom Cruise's disastrous publicity tour leading up to the release of the film. Hosted on Acast. See acast.com/privacy for more information.

‘Giant’ may be remembered as James Dean’s final film, but there is so much more to the story. Chris and Lizzie dive into the making of the classic 1956 film, why James Dean and Rock Hudson couldn’t stand each other, and how Elizabeth Taylor found herself caught between the two. Find out how homophobia tore Rock Hudson’s life apart, why director George Stevens constantly fought with James Dean, and how Dean’s untimely death prior to the end of production set the film on a totally different course. Hosted on Acast. See acast.com/privacy for more information.

My Big Fat... Latina Wedding? This week, Chris & Lizzie dive into the magical, seemingly impossible indie-darling that could, My Big Fat Greek Wedding. Learn how Nia Vardalos turned what Hollywood perceived to be her biggest liability (her Greek heritage) into a movie so specifically hilarious, it felt universal. This is the unlikely story of how a one-woman show (and a $500 ad in the LA Times) found Rita Wilson and Tom Hanks in its audience and birthed one of the most successful indie films in the history of Hollywood. Hosted on Acast. See acast.com/privacy for more information.

When Hollywood producers got their hands on Truman Capote’s “Breakfast at Tiffany’s”, they thought they’d found the perfect RomCom. There was just one problem: there was no rom in that com because the narrator was gay. In this episode, Chris and Lizzie break down the Audrey Hepburn classic and discover why she was reluctant to take the part, which actor caused the most trouble on set, and how the cinematographer got electrocuted… at Tiffany’s! Plus we discuss the lasting impact of Mickey Rooney’s troubled performance, and discover why Truman Capote himself wanted to spit on the director. Hosted on Acast. See acast.com/privacy for more information.

When the town of Holcomb, Kansas opened its doors to renowned author Truman Capote in 1959, they had no idea their story would change the way True Crime was written forever. Join Chris and Lizzie as they explore the real case behind the novel ‘In Cold Blood’ and its 1967 film adaptation, plus find out where Capote may have twisted the truth, and the shocking lengths film director Richard Brooks took to recreate the murders of the Clutter Family. Hosted on Acast. See acast.com/privacy for more information.

How did the Star Man, the Star Wars Man, and the Muppet Man come together to make the seminal 1986 oddity, Labyrinth? Join Chris and Lizzie as they get lost in the experimental mind of Jim Henson, young Jennifer Connelly's dispassion for acting, and the remarkable juggling of David Bowie's (crystal) balls. *CORRECTION: Terry Jones was Welsh, not English. Hosted on Acast. See acast.com/privacy for more information.

It's time for the feel bad sequel of 1984! Join Chris and Lizzie as they explore how bad breakups and broken backs contributed to George Lucas and Steven Spielberg being branded villains by People magazine. Plus, why Ke Huy Quan's "Short Round" is the real hero, Kate Capshaw paying a steep price for not reading the entire script, and why we still love Harrison Ford even though he stole Short Round's lines. Hosted on Acast. See acast.com/privacy for more information.

This week Bob Fosse is clawing his way out of director’s jail with one of the greatest movie musicals ever made: ‘Cabaret’. Join Chris and Lizzie as they discover how instrumental Liza Minelli was in creating Sally Bowles’ iconic look, why Joel Grey cried after he saw the first cut, and which role Bob Fosse might have wanted to take for himself… We also find out why Bob Fosse probably shouldn’t attempt any more backflips, and how a sordid affair in Berlin effectively ended his relationship with Gwen Verdon. Hosted on Acast. See acast.com/privacy for more information.

How does George Lucas top the most successful film of all time? He outsources the writing and directing, finances it himself, and then wonders if it could've been as successful if it had just been a little bit worse! This week, Chris & Lizzie head to Hoth to watch Irvin Kershner's cameras freeze, Dagobah to bear witness to Frank Oz create our favorite little bog freak, and navigate the asteroid field of Han and Leia's all too meta verbal sparring! Hosted on Acast. See acast.com/privacy for more information.

When director David Frankel signed on to adapt the novel The Devil Wears Prada into a movie, he didn’t realize he’d be up against the real Miranda Priestly herself: Anna Wintour. This week Chris, Lizzie, and very special guest Jameela Jamil discover how it took 5 tries to find the right screenwriter, why Anne Hathaway was the 9th choice to play Andy Sachs, and how fear of retribution from Anna Wintour almost shut the whole thing down. Find out why Meryl Streep went method with her role, how Emily Blunt totally transformed her character, and why a scandal brewing in Anne Hathaway’s personal life bled over onto set. Hosted on Acast. See acast.com/privacy for more information.

This year marks the 50th anniversary of 'Taxi Driver', which is somehow even more relevant now than it was in 1976. But the truth is 'Taxi Driver' almost didn't make it to the screen. This week, Chris and Lizzie break down how Martin Scorsese and Paul Schrader fought to make a dark, deeply uncommercial script on a shoestring budget, that made the studio nervous from the start. Discover why the Board of Education nearly blocked Jodie Foster's controversial casting, and how Robert De Niro stepped in as her de facto acting coach on set. Plus find out how Scorsese wound up as a last minute replacement for one of his own actors, and why the production almost drove him to go full Travis Bickle on the studio execs... until Steven Spielberg talked him down. Hosted on Acast. See acast.com/privacy for more information.

'Taxi Driver' isn't just one of the greatest movies ever made... it's also deeply entangled with one of the most shocking true crimes in American history. In this Out of Frame episode, Chris and Lizzie welcome special guests Suruthi Bala and Hannah Maguire from RedHanded to examine the disturbing case of John Hinkley Jr, whose obsession with Jodie Foster spiraled into an attempt to assassinate Ronald Reagan. Discover how the case reshaped Foster's life and career, and dive into the lasting impacts of the trial on the American criminal justice system. Find out how 'Taxi Driver', arguably an examination of toxic masculinity, became an extremely dangerous call to arms in the wrong hands. Hosted on Acast. See acast.com/privacy for more information.

Let's dive into a world of pure imagination... and some pretty unsafe set pieces! This week, Chris and Lizzie are joined by Aaron Tracy, creator and host of The Secret World of Roald Dahl, and they head into Willy Wonka's chocolate factory to figure out how such an odd movie came to be. From cereal financing to secret rewrites and Gene Wilder's unexpectedly edgy performance, this production's only topped by the Zelig-esque life of the man who spawned the book it's based on. Hosted on Acast. See acast.com/privacy for more information.

This week, the one and only James McAvoy joins Chris and Lizzie to break down what went wrong - and very right - on his directorial debut, California Schemin’. The film follows two young Scottish rappers who get laughed out of the music industry… until they start pretending to be American. It’s a true story of ambition, delusion, and the blurry line between reinvention and outright fraud. Find out what drew McAvoy to the script, how he assembled the perfect cast, and what surprised him most about stepping behind the camera for the first time. Plus, discover the tricks he borrowed from some of the best directors he’s worked with (and which ones actually worked). Check out California Schemin’ in UK theaters starting today! Hosted on Acast. See acast.com/privacy for more information.

David Lean's ‘Lawrence of Arabia’ is widely considered one of the greatest films ever made… but behind the sweeping desert vistas was a production as brutal and unpredictable as the landscape itself. This week, Chris and Lizzie break down how a script that was never truly finished—thanks in part to one of its screenwriters landing in jail—left the film constantly evolving even as cameras rolled. Discover why Omar Sharif was a last minute replacement, and why both Sharif and Peter O’Toole were forced to perform their own dangerous stunts on camels that were as temperamental as they were painful to ride. While ‘Lawrence of Arabia’ cemented David Lean's place in cinematic history, it also played a major role in shaping how the world understands the real T.E. Lawrence — for better and for worse. Hosted on Acast. See acast.com/privacy for more information.

'American History X' was a tough sell on paper, though that didn't stop up-and-coming star Edward Norton from fighting for it. But what started as a promising collaboration between Norton and first-time director Tony Kaye would soon explode into one of the most infamous behind-the-scenes battles in movie history. This week, Chris and Lizzie break down how tensions that started brewing on set spiraled into an all out war in post-production. Discover how Kaye got completely shut out of the edit, and find out why he decided to spend $100K of his own money to retaliate... in public. Hosted on Acast. See acast.com/privacy for more information.

A Kubrickian schedule! Two months of shooting in the mud! Roundworm, tuberculosis, and mass-method acting! What are the building blocks of Akira Kurosawa's 1954 classic jidaigeki film, Seven Samurai? Chris and Lizzie learn of Kurosawa's battles with censors (Japanese and American), studios, and his own personal demons. Plus, how the score went from the wastebasket to the silver screen, how Toshiro Mifune saved the film from a self-serious tone, and how a request for 10 days off can lead to a two year stay at your director's house. *This episode was made possible by the incredible support of Patrons like Blaise Ambrose! Hosted on Acast. See acast.com/privacy for more information.

‘Forrest Gump’ became one of the biggest hits of the ’90s—but it was never a sure thing. What started as a seemingly unadaptable novel bounced through multiple directors, screenwriters, and studios before it finally found the team that could bring it to life. This week, Chris and Lizzie break down how Robert Zemeckis pulled off the film’s groundbreaking visual effects, why the first three days of Tom Hanks’ performance were thrown in the trash, and the unexpected source behind Forrest’s now-iconic accent. Hosted on Acast. See acast.com/privacy for more information.

This week, everybody comes to Rick's! Chris and Lizzie head to French Morocco for a deep dive on Casablanca, the movie that no one believed in and everyone wanted credit for. Learn how a notoriously tough director (Michael Curtiz), a freshly minted producer (Hal Wallis), a frustrated starlet (Ingrid Bergman), and a truly international cast brought this Hollywood classic from an unproduced play to the silver screen in mere months. Hosted on Acast. See acast.com/privacy for more information.